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by Qui Nguyen
Directed by Joshua Pohja
Produced by Jonathan Davidson
A comedic romp into the world of fantasy role-playing games! In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres and 90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.
by Qui Nguyen
Directed by Joshua Pohja
Produced by Jonathan Davidson
A comedic romp into the world of fantasy role-playing games! In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres and 90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.
by Qui Nguyen
Directed by Joshua Pohja
Produced by Jonathan Davidson
A comedic romp into the world of fantasy role-playing games! In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres and 90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.
by Qui Nguyen
Directed by Joshua Pohja
Produced by Jonathan Davidson
A comedic romp into the world of fantasy role-playing games! In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres and 90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.
Based on the novel by Mark Haddon
Adapted by Simon Stephens
Directed and Produced by Jonathan Davidson
15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.
Based on the novel by Mark Haddon
Adapted by Simon Stephens
Directed and Produced by Jonathan Davidson
15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.
Based on the novel by Mark Haddon
Adapted by Simon Stephens
Directed and Produced by Jonathan Davidson
15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.
Based on the novel by Mark Haddon
Adapted by Simon Stephens
Directed and Produced by Jonathan Davidson
15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.
Join the Wisconsin Intergenerational Orchestra for their 2021 Winter Concert! WIO’s Intermezzo and iGen Symphony will perform in their triumphant return to making music.
Celebrate ten seasons of innovative storytelling and breathtaking dance with Ballet 5:8. Enjoy Ballet 5:8 works from the past nine seasons of Ballet 5:8’s repertoire as well as Julianna Rubio Slager’s newest work, Toda Raba.
by Lauren Gunderson
Directed by Katie Johnson
Produced by Jonathan Davidson
When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.
by Lauren Gunderson
Directed by Katie Johnson
Produced by Jonathan Davidson
When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.
by Lauren Gunderson
Directed by Katie Johnson
Produced by Jonathan Davidson
When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.
by Lauren Gunderson
Directed by Katie Johnson
Produced by Jonathan Davidson
When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.
Book and Lyrics by Robert L. Freedman
Music and Lyrics by Steven Lutvak
Based on the novel Israel Rank by Roy Horniman
Directed and Produced by Jonathan Davidson
When the low-born Monty Navarro finds out that he’s eighth in line for an earldom in the lofty D’Ysquith family, he figures his chances of outliving his predecessors are slight and sets off down a far more ghoulish path. Can he knock off his unsuspecting relatives without being caught and become the ninth Earl of Highhurst? And what of love? Because murder isn’t the only thing on Monty’s mind….
Book and Lyrics by Robert L. Freedman
Music and Lyrics by Steven Lutvak
Based on the novel Israel Rank by Roy Horniman
Directed and Produced by Jonathan Davidson
When the low-born Monty Navarro finds out that he’s eighth in line for an earldom in the lofty D’Ysquith family, he figures his chances of outliving his predecessors are slight and sets off down a far more ghoulish path. Can he knock off his unsuspecting relatives without being caught and become the ninth Earl of Highhurst? And what of love? Because murder isn’t the only thing on Monty’s mind….
Book and Lyrics by Robert L. Freedman
Music and Lyrics by Steven Lutvak
Based on the novel Israel Rank by Roy Horniman
Directed and Produced by Jonathan Davidson
When the low-born Monty Navarro finds out that he’s eighth in line for an earldom in the lofty D’Ysquith family, he figures his chances of outliving his predecessors are slight and sets off down a far more ghoulish path. Can he knock off his unsuspecting relatives without being caught and become the ninth Earl of Highhurst? And what of love? Because murder isn’t the only thing on Monty’s mind….
Book and Lyrics by Robert L. Freedman
Music and Lyrics by Steven Lutvak
Based on the novel Israel Rank by Roy Horniman
Directed and Produced by Jonathan Davidson
When the low-born Monty Navarro finds out that he’s eighth in line for an earldom in the lofty D’Ysquith family, he figures his chances of outliving his predecessors are slight and sets off down a far more ghoulish path. Can he knock off his unsuspecting relatives without being caught and become the ninth Earl of Highhurst? And what of love? Because murder isn’t the only thing on Monty’s mind….
For twenty-eight years, Pius XI students have been encouraged to take over the Black Box Theater as playwrights, directors, actors and technicians. This is an opportunity to tell their stories – personal, comic, absurd and profound – and celebrate their own voices!
For twenty-eight years, Pius XI students have been encouraged to take over the Black Box Theater as playwrights, directors, actors and technicians. This is an opportunity to tell their stories – personal, comic, absurd and profound – and celebrate their own voices!